Neha Choksi
Knots and Unknots, 2025
Scores with twelve A3 size prints using 1-, 2-, 3, and 4-color Risograph, cotton rope, fabric dye, box

Commission for Primary Forms, Museum of Modern Art in Warsaw





THE CONCEPT FOR KNOTS AND UNKNOTS: ONE AND THE MANY

Drawing from the ideas of “ties that bind” and “lifelines,” the Knots and Unknots provides scores for participants of all ages to create group knotted sculptures that can be serially knotted and unknotted into different configurations.

These phrases involving rope and knots permeate languages because of their deeply psychic draw embedded in material reality. To bind a knot, to give someone rope, to extend a lifeline, to navigate a tightrope, to link, to join, to multiply and to divide, to undo and redo, these are the notions and motions of a community. Rope is embedded in our languages and story-telling and these form the basis for the scores.

Each participant will get their own piece of thick, sturdy, cotton rope. The rope is pre-cut into 1 meter lengths and it is circa 2 cm in diameter. Its ends are sealed so that the rope does not unravel.

Each child has the opportunity to decorate their rope using different shades of blue, ranging from nearly purple to nearly green. This color can be applied via dipping the rope in different tubs of watered down paint or dye for the base layer. Embroidery stitching can be applied on top of the rope. Felt tip markers and any other art material that dries completely can be used. The limited color palette extends to all media. Decorative bits and bobs can be added to embellish the temporary sculpture to add fun to the process, but should be reversible just like knots.

The artist has designed a set of scores to initiate the knotting and unknotting of the group’s collective sculptures. Eventually the group will make their own score for their own final sculpture. At the end the sculpture will be unknotted one last time and each child able to keep their own piece of rope, embedded with the memory of its collective knots.

Open-ended scores have different potential results: knotting, unknotting, open-ended guidance for creating, disassembling, and re-creating sculptures from the same rope again and again. The scores will encourage interdependency between all children and participants.

 

 

ORDER OF SCORES

 

CONCEPT FOR THE SCORES

The Logic

o   The logic of the riso printing is the logic of the knots and unknots.

o   Each color in a single score depicts 11 ropes.

o   These are 8 riso screens that are mixed and matched to create the scores with more possibilities that can be imagined.





o   Each score has different arrangements.

o   #2 shows four overlays (where #8, #9, #10, #11 are printed atop each other)

o   #3, #4 show three overlays

o   #5, #6, #7 show two overlays

o   There are four modes in which one can imagine ropes being organized: creating a bounded shape (#11), arrayed either as separate elements or together (#10), woven as a net or mesh (#9), or in an intricate three-dimensional composition (#8).

o   Each score can be interpreted spatially or temporally.

o   Space: visual interpretation of each score as a single state

o   Time: transitioning from one color to another color, for example, in #5, from a bounded shape to a tangled intricacy with a loner.

o   Title: allows for knots and unknots to exist simultaneously.  Encourages the participants to experience being one and being many, having space for individuals to stand apart as loners from a group or as similar individuals and to come together, too.

o   The riso inks allow visual translucency such that the overlays where the ink is overlaid can be interpreted as a knot or a joint.